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Seven Spires, “The Cabaret of Dreams” – review

Seven Spires, “The Cabaret of Dreams” – review

Derek McLeod Connector Staff Coming out of the gates like the mightiest of monsters crawling from the blackness of the mind, Seven Spires debut EP “The Cabaret of Dreams” is one of the most solid pieces of symphonic metal in the past decade, due in large part to stellar composition, production and character that most

The best mariachi-punk band you’ve never heard of

Josh Beverage Connector Staff If you’re interested in hearing some new music, but you’re tired of the generic noise coming from the radio, then the new Mariachi El Bronx album might be worth your time. It’s something new and different, and perhaps the most dichotomous music crossover happening today. What started out as a side

An introspective approach to class introversion

Nicholles Klevisha Connector Staff For many students, public speaking is a dreaded prospect to be avoided, and that fear has translated into the context of the classroom. Professor Rita Sullivan of the English Department said she tells her students every semester that this fear will last unless they confront it. “If you’re not going to

Wigging out with Hedwig

Nicholles Klevisha Connector Staff Transgendered people have often been depicted in media as being big, brassy and sassy and are sometimes used as a punch line. In “Hedwig and the Angry Inch,” the “internationally-ignored song stylist” Hedwig is all of those things, but the jokes being told are on her terms. The Broadway rock-musical is

The end was nigh: ‘End Days’ at the Comley Lane Theater

Nicholles Klevisha Connector Staff The Steins have been fragmented ever since Arthur, a worker in one of the buildings that fell down during 9/11, withdrew from his family into a deep depression. His wife, Sylvia, has become a born-again Christian, and a 16-year-old Elvis impersonator is trying to court their Goth daughter whenever milk cartons

Manchester Orchestra’s stripped-down ‘Hope’

Tyler Peyman Connector Contributor Serving as a companion piece to the group’s fourth studio effort, “Cope” (released earlier this year), all efforts to describe “Hope” will fall short without a proper explanation of it’s counterpart. “Cope” is, for lack of a better phrase, a bull in a China cabinet. It’s the wild, untamed twin of